The Weirdos were the most significant band of the early LA scene. This, following the theory that if New York punk was about art, and London punk about politics, LA punk was about pop culture, TV, and absurdity. The Weirdos had great songs, a great image, and a very good singer. The look was […]
Read MoreThat’s a Record ‘Cause of Mario
In my previous entry, Riddle Me This, My Brother: Deconstructing “Shadrach,” I revisited Paul’s Boutique, and for the millionth time marveled at the Beastie Boys and Dust Brothers, who then included Matt Dike. However, Paul’s was a seven-man operation and like a dumbass, I overlooked producer, engineer, mixer, soundman, multi-instrumentalist, electronics whiz, security guard […]
Read MoreHappy Birthday, America
This weekend I apply the final coats of paint to my Alex Chilton post, which has morphed beyond its original framework … not a bad thing by any stretch. So, while we wait for that to dry, how about we celebrate our nation’s existence LA styley? Sun, surf, a very large flag, Corona (5 cent […]
Read MorePANDE-FU**IN’-MONIUM!
With all the hubbub of the Exile On Main Street reissue, you may have missed the recent release of Otis Redding, Live On The Sunset Strip. I’m sure this will be shocking news, but Otis is a revelation, breathlessly leading his 10-piece orchestra through four April 1966 nights at the 400-capacity Whisky A Go […]
Read MoreDeconstructing “Johnny Ryall”
I think most sentient beings can agree that Paul’s Boutique is one of the greatest albums of the last 20-30 years. Catch me on the right day and I might say it’s the greatest album ever. Released in 1989, Paul’s was the by-product of 7 men: The Beastie Boys, an LA DJ named Matt Dike […]
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